“…sensitively guided by Jeremy Joseph, while at the same time allowing the rich palette of Kahts’ voice room to fully unfold.”

“Megan Kahts thus offers not only an impressive display of her own refined and flexible voice, but also brings two historical vocal personalities vividly back to life.”

"As such, the release not only confirms Megan Kahts as a mezzo of considerable promise, but also positions her as an advocate for Baroque vocal literature that is not merely virtuosic but deeply felt. “Dopo notte” is a superb follow-up to “Dolce abbandono” and, through its chiaroscural qualities and pervasive melancholy, it commands attention."

“Megan Kahts thus offers not only an impressive display of her own refined and flexible voice, but also brings two historical vocal personalities vividly back to life.”