Reviews
“Megan Kahts in the trouser role of the Knight Ruggiero matched her performance with a sound grasp of persona, confident singing and an unexpectedly compelling stage presence given her diminutive figure.”
11 November 2022 – WeekendSpecial
“Megan Kahts’ voice was rich with an adept delivery of her interpretation of Ruggiero.”
15 November 2022 – Die Burger
“Megan Kaht’s […] interpreted the role of the torn knight Ruggiero “devillishly” well in terms of the interplay of voice, presence, facial expressions and gestures. Delicate in her figure but powerful and nuanced in the design of the role and in her voice she has become a leading, oh why not, the leading mezzo-soprano in the baroque repertoire and also has an above-average presence in the Viennese classic.”
15 November 2022 – Der Online Merker
